THE PEOPLE UNDER THE STAIRS (1991) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – THE PEOPLE UNDER THE STAIRS (1991) – [35mm]

1991 | 100m | USA | (18) | 1.85:1 | Dolby Stereo

“My name is Fool, what’s yours?”

Wes Craven’s darkly comic urban nightmare follows Fool, a young boy who breaks into the fortified home of his ruthless landlords only to discover a labyrinth of secrets beneath the floorboards. What begins as a simple heist, spirals into a claustrophobic battle for survival as Fool confronts the deranged couple who rule the house — and the feral, long‑imprisoned souls hidden in the walls. Shot with Craven’s signature blend of social satire and genre mayhem, the film turns a decaying Los Angeles mansion into a living organism of paranoia, cruelty, and rebellion, making it a perfect fit for the penultimate GRINDFEST slot.

The DITG team are thrilled to screen this from an original 35mm print!

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THE PHANTOM OF THE OPERA (1989) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – THE PHANTOM OF THE OPERA (1989) – [35mm]

1989 | 90m | USA | (18) | 1.85:1 | Dolby Stereo

“Only love and music are forever”

Diverging from the romantic grandeur of the stage musical, Dwight H. Little’s 1989 adaptation of The Phantom of the Opera reinvents the Gaston Leroux classic as a visceral, time-shifting gothic slasher.

Starring horror icon Robert Englund as Erik Destler, a disfigured composer who sells his soul to the devil so his music will be immortal—at the price of a face he must “stitch” together with the skin of his victims. When modern-day Juilliard student Christine Day (Jill Schoelen) unearths his lost score, a mysterious accident transports her back to 19th-century London, where she becomes the muse and prisoner of the murderous maestro. Featuring early appearances by Bill Nighy and Molly Shannon, this rare 35mm screening highlights the film’s sumptuous, Hammer-homage palette and its gruesome, practical makeup effects by Kevin Yagher.

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THE WICKER MAN (1973) – Grindfest 2026

Dirt in the Gate Movies // Arrow Video Presents: GRINDFEST – THE WICKER MAN (1973) – [35mm]

1973 | 90m | UK | (15) | 1.85:1 | Mono

“What religion can they possibly be learning jumping over bonfires?”

GRINDFEST 2026 concludes with Robin Hardy’s all time classic folk horror, THE WICKER MAN. Few films have grown in stature as dramatically, a work once dismissed as an oddity and now revered as a cornerstone of British folk horror. Robin Hardy’s 1973 masterpiece unfolds with a slow, sunlit unease, drawing its power not from shadows but from the bright, disquieting normality of Summer isle — a place where ancient rituals thrive in plain sight and the modern world feels strangely out of place.

Sergeant Neil Howie (Edward Woodward), a devout Christian policeman who arrives on the remote island to investigate a missing girl. What he encounters instead is a community bound by pagan traditions, erotic energy, and a worldview that challenges every certainty he carries with him. As Howie’s search deepens, the islanders’ songs, dances, and celebrations take on a sinister resonance, building toward one of the most unforgettable climaxes in British cinema.

Beyond its surface mystery, The Wicker Man endures because it is a film about belief: the clash between faiths, the seduction of community, and the terrifying certainty of those who think they are right. It is a story that grows richer with each viewing, revealing new layers of satire, spirituality, and psychological tension.

This 35mm screening offers a rare chance to experience The Wicker Man as audiences first did — as a folk parable, a musical, a thriller, and a cultural provocation all at once. It remains one of the most singular films ever produced in Britain, a work whose flames still burn brightly more than fifty years on.

The DITG team are thrilled to screen this from an original 35mm IB Technicolor print!

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VAMP (1986) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – VAMP (1986) – [35mm]

1986 | 93m | USA | (15) | 1.85:1 | Mono

“This has been one wacky night!”

Its GRINDFEST 2026! We continue our 3-day genre event with the classic and criminally underrated horror comedy, VAMP. This 1986 cult classic is a perfect cocktail of gothic glamour and ’80s attitude.

When two students venture into the city after dark to secure entertainment for their frat, they wander into a mysterious nightclub ruled by a seductive vampire queen and her undead entourage. What begins as a simple errand, spirals into a night of danger, dark humour, and unforgettable style. Prepare to step into a world where the neon glows bright and the shadows bite back.

The DITG team are thrilled to screen this from an original 35mm print!

The film will be introduced by Professor Stacey Abbott, Northumbria University.

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BASKET CASE (1982) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – BASKET CASE (1982) – [35mm]

1982 | 95m | USA | (18) | 1.85:1 | Mono

“What’s in the basket?”

Day one of GRINDFEST ’26 concludes with the perfect late-night movie, BASKET CASE!

A must-see video rental of the 1980s, Basket Case follows Duane Bradley, a shy young man who arrives in New York City carrying a locked wicker basket that hides a horrifying secret: his deformed, once conjoined twin brother Belial, who survived their separation and now communicates with him telepathically. Together, the brothers hunt down the doctors who forcibly split them apart, leaving a trail of grisly revenge through the city’s sleazy underbelly. As Duane struggles between protecting his monstrous sibling and pursuing a normal life, the film spirals into a mix of dark humour, raw practical effects, and unforgettable grindhouse energy and is one of the most outrageously bizarre, gory and insanely enjoyable horror films of its time.

The DITG team are thrilled to screen BASKET CASE from an original 35mm print!

Introduction by Dr Johnny Walker, Northumbria University.

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BILLY THE KID AND THE GREEN BAIZE VAMPIRE (1985) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – BILLY THE KID AND THE GREEN BAIZE VAMPIRE (1985) – [35mm]

1985 | 95m | UK | (PG) | 1.85:1 | Dolby Stereo

“When I’ve finished with the Green Baize Vampire, he’s gonna need a blood transfusion, a brain transplant and a set of National Health railings”

A film so defiantly strange it feels like it slipped in from a parallel universe, Billy the Kid and the Green Baize Vampire stands as one of the boldest, most unclassifiable entries in British cinema. Part rock opera, part horror‑tinged sports melodrama, part social satire, it transforms the world of professional snooker into a mythic battleground where youth, class, and superstition collide under neon lights.

The story follows Billy the Kid, a brash young hustler whose rise threatens the dominance of the Green Baize Vampire — an immortal, aristocratic cue‑sport legend whose theatrical presence borders on the supernatural. Their rivalry builds toward a high‑stakes showdown staged like a ritual sacrifice, complete with pounding musical numbers, surreal choreography, and a visual palette that swings between music‑hall camp and gothic excess. But beneath the spectacle lies a sharp commentary on 1980s Britain: the old guard clinging to power, the working‑class upstart fighting for a place at the table, and a media circus eager to turn everything into a spectacle.

Long misunderstood and often dismissed on release, Billy the Kid and the Green Baize Vampire has since earned its place as a cult treasure: a musical horror western about snooker that shouldn’t work, yet somehow does so brilliantly. This 35mm screening invites audiences to rediscover — or finally discover — a film that remains as audacious, playful, and utterly singular as the day it premiered and we’re delighted to bring it to GRINDFEST.

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eXistenZ (1999) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – eXistenZ (1999) – [35mm]

1999 | 91m| CANADA | (18) | 1.85:1 | DOLBY SR

“He’s only a game character!”

GRINDFEST day one starts with DAVID CRONENBERG’S eXistenZ which plunges into a surreal, bio tech future where virtual reality gaming blurs dangerously with real life.

When visionary game designer Allegra Geller becomes the target of assassins during a test run of her new organic game system, she and a reluctant marketing trainee are forced to jack into eXistenZ to uncover who’s hunting her—and why. As layers of reality peel away, the characters (and the audience) are left questioning what’s real, what’s programmed, and whether the game has already taken control.

Screening form an original theatrical 35mm print!

Introduction by Professor Stacey Abbott Northumbria University

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FRANKENSTEIN UNBOUND (1990) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – FRANKENSTEIN UNBOUND (1990) – [35mm]

1990 | 90m |USA | (18) | 1.85:1 | Dolby Stereo

“I am.. Frankenstein!”

Dirt in the Gate Movies are thrilled to bring this ambitious 1990 sci-fi horror hybrid underseen classic to GRINDFEST! Directed by legendary schlock-meister Roger Corman, John Hurt stars as Dr. Joe Buchanan, a 21st-century scientist who invents a particle weapon that accidentally fractures the space-time continuum.

Transported from 2031 to 1817 Switzerland, Buchanan comes face-to-face with his intellectual counterpart, Dr. Victor Frankenstein (Raul Julia), and the literal embodiment of his creation (Nick Brimble). As the modern scientist witnesses the unfolding gothic horror, he attempts to intervene in the tragic loop, engaging with a fictionalised Mary Shelley (Bridget Fonda) and facing the catastrophic consequences of technological irresponsibility. Based on the novel by Brian Aldiss, this cult curiosity blends thoughtful philosophical debate with visceral horror and marks a unique, post-modern return to the director’s chair for Corman.

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INTERNATIONAL SHORT FILM SHOWCASE – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – INTERNATIONAL SHORT FILM SHOWCASE

Various | Worldwide | (18) | DCP

Championing emerging and established genre film making talent from around the world, we’re proud to present a meticulously curated short film programme to inspire and engage but ultimately showcase the importance of short film as a medium up on the big screen with an audience in a special, unique environment.

Keep a watch on Dirt in the Gate Movies Social Media channels to discover more as and when more titles are announced.

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LOST FILM SPECIAL – BBC’s LATE-NIGHT HORROR – NO SUCH THING AS A VAMPIRE (1968) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – LOST FILM SPECIAL BBC’s LATE-NIGHT HORROR ‘NO SUCH THING AS A VAMPIRE’

1968 | 30m + Introduction | UK | (18) | 1.37:1

Long presumed wiped during the BBC’s routine tape‑erasure policies of the 1960s and 70s, “No Such Thing as a Vampire” has lived for decades as a rumour, a footnote, and a ghost story whispered among British television historians. Thanks to a recent discovery of a 16mm film recording print at The Regent and in association with Film Is Fabulous who implemented the restoration work, this screening resurrects a rare survivor from Late Night Horror, the BBC’s short‑lived but influential attempt to bring adult, after‑hours terror to the small screen.

Adapted from Richard Matheson’s taut psychological tale, the episode unfolds within the confines of a troubled household where fear, superstition, and manipulation intertwine. A woman becomes convinced she is being preyed upon by a vampire, while her husband insists on rational explanations. What follows is a tense, claustrophobic dance between belief and denial, where the threat may be supernatural — or may be something far more human. Even in fragmentary form, the story’s power lies in its ambiguity, its slow tightening of dread, and its refusal to offer easy answers.

As with much of British television from this era, the production was originally shot on videotape, giving it a distinctive immediacy — a sense of live theatre captured in close‑up. Seeing it now, after decades of absence, offers a rare glimpse into the BBC’s willingness to experiment with horror at a time when the genre was still considered transgressive for broadcast. The performances, staging, and atmosphere speak to a moment when television was discovering how to unsettle viewers not with spectacle, but with suggestion.

This screening is both a celebration and a reminder: a celebration of the archivists, collectors, and enthusiasts who keep lost media alive, and a reminder of how much cultural history vanished in the era of wiped tapes. No Such Thing as a Vampire stands as a testament to what survives — and what might still be out there, waiting to be found.

We’re delighted to bring this long-lost episode to GRINDFEST.

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