National Theatre Live: The Misanthrope

Award-winner Sandra Oh (Killing Eve) plays the title role in this razor-sharp reimagining of Molière’s classic dark comedy.

Telling the truth isn’t always that simple. Alice, a brilliant novelist, despises the carefully constructed lies of modern society. But the more she challenges those around her, the fiercer the backlash becomes. Soon, she must confront the price of speaking her truth in a world that would rather silence her.

Filmed live on stage at the National Theatre, Indhu Rubasingham directs Martin Crimp’s (Cyrano de Bergerac) highly anticipated play.

GIANT – The Play

GIANT, the 5-star critically acclaimed play starring John Lithgow (Killers of the Flower Moon, The Crown) as Roald Dahl, comes to the big screen.

Winner of 3 Olivier Awards® including Best Play and a Tony Award® for Best Actor in a Play (John Lithgow), the production was filmed live in London’s West End ahead of its sold-out Broadway run. The stellar cast includes Aya Cash (The Boys, The Franchise, You’re the Worst), Elliot Levey (Cold War, Patriots, Good) and Rachael Stirling (The Divine Mrs S).

A world-famous children’s author under threat. A battle of wills in the wake of scandal. And one chance to make amends…It’s the summer of 1983, The Witches is about to hit the shelves and Roald Dahl is making last-minute edits. But the outcry at his recent, explicitly antisemitic article won’t die down. Across a single afternoon at his family home, and rocked by an unexpectedly explosive confrontation, Dahl is forced to choose: make a public apology or risk his name and reputation. Inspired by real events, GIANT explores with dark humour the difference between considered opinion and dangerous rhetoric offering a complicated portrait of a fiendishly charismatic icon.

Minions & Monsters

Hollywood has a monster problem…Follow the Minions in 1920s Hollywood as they aim to make a monster movie of their own and search for frightening creatures to appear in their movie. But after unleashing monsters upon an unsuspecting world, The Minions must band together to save the day.

Fresh off the worldwide blockbuster success of summer 2024’s funniest comedy, Despicable Me 4, Illumination expands its joyful animated universe with a riotous new chapter, featuring all-new characters, in the biggest global animated franchise in history: Minions & Monsters.

This is the rambunctious, ridiculous and totally true story of how the Minions conquered Hollywood, became movie stars, lost everything, unleashed monsters onto the world and then banded together to try and save the planet from the mayhem they had just created.

Save this Summer

From 24 July – 31 August, tickets for Under 16s are just £5 each!

INTERNATIONAL SHORT FILM SHOWCASE – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – INTERNATIONAL SHORT FILM SHOWCASE

Various | Worldwide | (18) | DCP

Championing emerging and established genre film making talent from around the world, we’re proud to present a meticulously curated short film programme to inspire and engage but ultimately showcase the importance of short film as a medium up on the big screen with an audience in a special, unique environment.

Keep a watch on Dirt in the Gate Movies Social Media channels to discover more as and when more titles are announced.

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LOST FILM SPECIAL – BBC’s LATE-NIGHT HORROR – NO SUCH THING AS A VAMPIRE (1968) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – LOST FILM SPECIAL BBC’s LATE-NIGHT HORROR ‘NO SUCH THING AS A VAMPIRE’

1968 | 30m + Introduction | UK | (18) | 1.37:1

Long presumed wiped during the BBC’s routine tape‑erasure policies of the 1960s and 70s, “No Such Thing as a Vampire” has lived for decades as a rumour, a footnote, and a ghost story whispered among British television historians. Thanks to a recent discovery of a 16mm film recording print at The Regent and in association with Film Is Fabulous who implemented the restoration work, this screening resurrects a rare survivor from Late Night Horror, the BBC’s short‑lived but influential attempt to bring adult, after‑hours terror to the small screen.

Adapted from Richard Matheson’s taut psychological tale, the episode unfolds within the confines of a troubled household where fear, superstition, and manipulation intertwine. A woman becomes convinced she is being preyed upon by a vampire, while her husband insists on rational explanations. What follows is a tense, claustrophobic dance between belief and denial, where the threat may be supernatural — or may be something far more human. Even in fragmentary form, the story’s power lies in its ambiguity, its slow tightening of dread, and its refusal to offer easy answers.

As with much of British television from this era, the production was originally shot on videotape, giving it a distinctive immediacy — a sense of live theatre captured in close‑up. Seeing it now, after decades of absence, offers a rare glimpse into the BBC’s willingness to experiment with horror at a time when the genre was still considered transgressive for broadcast. The performances, staging, and atmosphere speak to a moment when television was discovering how to unsettle viewers not with spectacle, but with suggestion.

This screening is both a celebration and a reminder: a celebration of the archivists, collectors, and enthusiasts who keep lost media alive, and a reminder of how much cultural history vanished in the era of wiped tapes. No Such Thing as a Vampire stands as a testament to what survives — and what might still be out there, waiting to be found.

We’re delighted to bring this long-lost episode to GRINDFEST.

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SILVER BULLET (1985) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – SILVER BULLET – (1985) – [35mm]

1985 | 95m | USA | (15) | 2.35:1 | Mono

“It looked like Bigfoot had used it for a toothpick!”

A small Maine town is gripped by fear as a series of brutal murders sparks rumours of something far more sinister than a human killer. When Marty (Corey Haim) becomes convinced a werewolf is stalking the streets, he sets out to expose the truth before the next full moon. Stephen King’s novel, Silver Bullet roars back to life in a rare 35mm outing, showcasing a unique blend of suspense, heart, and creature‑feature spectacle.

The DITG team are thrilled to screen this from an original 35mm print in the UK!

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STARCHASER: THE LEGEND OF ORIN 3D (1985) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – STARCHASER THE LEGEND OF ORIN 3D (1985) – [35mm]

1985 | 100m | USA | (PG) | 2.35:1 Over/Under 3D| Dolby Stereo

“Never dig up. Up is hell..”

We’re proud to have been able to recently resurrect the experience of projecting original 35mm over/under 3D prints, titles including AMITYVILLE 3D, JAWS 3D, FRIDAY THE 13th 3D, FLESH FOR FRANKENSTEIN 3D, SPACEHUNTER 3D, TREASURE OF THE FOUR CROWNS 3D and PARASITE 3D at last year’s GRINDFEST. Using modern chromatic filtered lenses and matching 3D glasses by Panavision, naturally we’re stoked to bring another of the 1970’s/80’s 3D revival era to this year’s festival!

GRINDFEST day two starts with a special Over/Under 3D 35mm screening and rare theatrical outing of this seminal 1985 animated classic STRACHASER: THE LEGEND OF ORIN.
A pioneer in 3D stereoscopic animation, this 1985 space opera is a visual spectacle that pushed the boundaries of the medium. Set on the subterranean Mine-World, the story follows Orin (Joe Colligan), a young slave who discovers the hilt of a legendary sword and escapes to the surface to lead a rebellion against the robotic “god” Zygon.

This screening presents a rare opportunity to experience the film in its original 35mm 3D format using the over/under (single-strip) process, which captured the film’s ambitious mix of traditional hand-drawn art and early computer-generated imagery. Often compared to Star Wars for its heroic archetypes—including the cynical smuggler Dagg Dibrimi and the feisty fembot Silica—Starchaser: The Legend of Orin remains a landmark achievement as the first full-length animated feature to be produced and released in 3D.

DITG are thrilled to screen this in its original 35mm 3D process at GRINDFEST thanks to the writer Jeffrey Scott and Director Steven Hahn.

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TENEBRAE (1982) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – TENEBRAE (1982) – [35mm]

1983 | 100m | ITALY | (18) | 1.85:1 | Mono

“Let me ask you something? If someone is killed with a Smith & Wesson revolver… Do you go and interview the president of Smith & Wesson?”

Following his surreal supernatural odysseys Suspiria and Inferno, director Dario Argento returned to the giallo roots that made him famous with this 1982 masterpiece of style and suspense. The film stars Anthony Franciosa as Peter Neal, an American mystery novelist who arrives in Rome to promote his latest bestseller, Tenebrae, only to find himself stalked by a razor-wielding serial killer who mirrors the gruesome murders in his book. Abandoning the technicolour phantasmagoria of his previous work for a cold, clinical, and ultra-modern aesthetic, Argento—working with cinematographer Luciano Tovoli—uses Rome’s brutalist architecture as a sterile backdrop for some of the most elaborate and technical sequences of his career, including a legendary, gravity-defying crane shot.

This 35mm screening offers a rare chance to experience the film’s blindingly bright visuals and pulse-pounding score by Goblin (Simonetti-Morante-Pignatelli) in its original format, showcasing why Tenebrae remains a definitive, metafictional peak of Italian horror and DITG are delighted to bring it to GRINDFEST.

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THE PEOPLE UNDER THE STAIRS (1991) – Grindfest 2026

Dirt In the Gate Movies // Arrow Video Presents: GRINDFEST – THE PEOPLE UNDER THE STAIRS (1991) – [35mm]

1991 | 100m | USA | (18) | 1.85:1 | Dolby Stereo

“My name is Fool, what’s yours?”

Wes Craven’s darkly comic urban nightmare follows Fool, a young boy who breaks into the fortified home of his ruthless landlords only to discover a labyrinth of secrets beneath the floorboards. What begins as a simple heist, spirals into a claustrophobic battle for survival as Fool confronts the deranged couple who rule the house — and the feral, long‑imprisoned souls hidden in the walls. Shot with Craven’s signature blend of social satire and genre mayhem, the film turns a decaying Los Angeles mansion into a living organism of paranoia, cruelty, and rebellion, making it a perfect fit for the penultimate GRINDFEST slot.

The DITG team are thrilled to screen this from an original 35mm print!

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